Hey we need to bring back those goofy aad designations that used to be on cds where it was implied that ddd was somehow the ideal but now we need them for vinyl aaa implying pure analog recording mixing and mastering.
We are vinyl quality.
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Original or reissue pre 1970 s pressings are almost always a safe bet.
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I completely agree with mickey that it s dicey at best with remasters if the info is limited.
Vinyl can still push music to the limits of its dynamic range 55 70db but it often shies away from doing so in order to maintain sound quality.
Records that predate the 1970 s are generally a safe bet.
A vinyl record has a groove carved into it that mirrors the original sound s waveform.
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That s why snare drums cymbal splashes and other loud instruments have so much more punch in vinyl recordings.
To take advantage of higher quality dvd audio discs however you will need a dvd player with a 192khz 24 bit digital to analog converter.
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This ensured consistency in the quality of the lps and 45s made during this period.
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Vinyl is the only consumer playback format we have that s fully analog and fully lossless gonsalves said.
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This means that no information is lost.
If it was pressed before the 70 s the quality will likely not disappoint.
When you buy a valid vinyl product you will find an insert card inside the package that looks similar to this.
There s very little compression so the loudest parts of those sounds often.
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